Case study: EPIC x Taylor Swift
The award-winning PR and paid campaign that uncovered Taylor Swift’s Irish roots and lifted EPIC’s ticket sales 43%.
When disaster strikes, UNICEF Ireland has days, not weeks, to reach people while the world is watching. Since 2020, Vroom has been the paid search and social partner that gets every emergency appeal in front of people in Ireland, fast.
In February 2023, a 7.8 magnitude earthquake struck southern Turkey and northern Syria before dawn, with no warning. Within hours, UNICEF Ireland had an emergency appeal, and we had it live.
Search campaigns went up for people looking for ways to help. Paid social launched with the first images from the ground, then switched to an appeal from UNICEF ambassador Liam Neeson the moment it was ready. Budgets went in hardest in the first days, while the news was still leading with the rescue.
It mattered. 69% of the appeal’s single donations came in the first two weeks of an eight-week campaign. Speed isn’t a nice-to-have in emergency fundraising. It’s most of the result.
We’ve done it more than fifteen times since, for Gaza, Lebanon, the Myanmar earthquake, Hurricane Melissa in Jamaica, the Venezuela earthquake, Sudan, the Nepal floods and more.
Vroom helped us effectively and rapidly establish our social media campaigns. This has since become one of our top two acquisition channels for new donors.
UNICEF Ireland
When the war in Gaza escalated in October 2023, our campaigns put UNICEF’s appeal in front of people in Ireland more than 60 million times across Facebook and Instagram, with spend scaled day by day to match the news. That work won Gold at the 2024 Digital Media Awards.
It builds year on year. In 2021, UNICEF’s video campaigns reached twice as many people in Ireland as the year before, building the audiences that every new appeal now draws on.
And it keeps growing. In 2026, our campaign for UNICEF’s work with children with disabilities has delivered almost 7 million impressions on Facebook and Instagram and more than 1.6 million engaged video views.
Alongside the emergencies, we run UNICEF’s always-on monthly giving, including Paddington’s Postcards, and its Christmas Inspired Gifts shop.
Every appeal starts with UNICEF Ireland’s people and pictures from the field. We turn them into ads for every placement, put them up against each other and move budget to whatever is working that day. Here are a few from the past year.



Instagram and TikTok are part of every appeal too, along with the advocacy moments in between that keep supporters close to the cause.
When an emergency hits, there is no time for a brief, a proposal and a kick-off call. Search goes live first for the people already looking to help, social follows with the first images from the ground, and budgets are weighted to the first days, when people in Ireland are paying most attention.
There is always a test running: open audiences against retargeting, new formats against proven ones, different asks and landing pages for single and monthly gifts. What wins gets the budget, what loses gets switched off, and the lessons carry into the next appeal.
Appeals are the peaks, but most of the work happens in between. Video campaigns build awareness of stories like children with disabilities, traffic campaigns bring people to those stories on unicef.ie, and conversion campaigns ask for single and monthly gifts. Around that sit Christmas Inspired Gifts, winter appeals, Paddington’s Postcards and monthly giving all year round.
UNICEF Ireland brings the stories, the people and the creative. We bring the campaigns, the data and the speed. Six years in, we know their supporters, their tone and their calls to action well enough to move the moment they do.
Read more in Irish Travel Trade News.
Within 48 hours of the brief. Campaign structures, audiences and tracking are kept ready, so we can go live while the story is still in the news.
Google Search, YouTube, Demand Gen, Performance Max, Shopping and Display, plus paid social on Meta and TikTok.
No. UNICEF and its creative partners supply the images and video. We turn them into ads for every format, and advise on what to run and when to refresh it.
Yes. We also manage Google Ad Grants for Turn2me, Ireland’s free online mental health service, and have done since 2015.
Need a partner who can move as fast as the news? Talk to our team.
Speed is everything in these campaigns, and our partnership with Vroom Digital will enable us to be quick off the mark and respond in real-time.
UNICEF Ireland
The award-winning PR and paid campaign that uncovered Taylor Swift’s Irish roots and lifted EPIC’s ticket sales 43%.
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A new show doesn’t need one big announcement. It needs a reason to be in the news every week. We built the PR around the episodes themselves, so every filming location had its own local story, and the coverage kept coming right up to Christmas.
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A fantastic Irish agency, and a key partner for any business who is serious about digital growth. Collaborative ways of working, highly skilled account teams, excellent communication and consistent, robust data reporting are some of the benefits reaped when working with Vroom.
Amy French – Marketing Manager, Sisu Clinics
A special mention to Bronagh, Ben and Luke – truly experts in their fields!.
The team at Vroom exceeded our expectations. They created a fantastic concept centred around nostalgia, which really resonated with us, perfectly captured the heart of our brand, and brought our story to life in a way we couldn’t have imagined. This campaign has given us an incredible platform to celebrate our milestone year.
Áine Faughnan – Managing Director, Dromod
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